Tips Part 1. Successful Art Openings. 
   Hello, Every  day is a school day, and this week we are sharing some of the things we  have learnt since we have been artists and more recently gallery  owners.
 Marcia is an experienced artist with a whole gamut of shows under her belt and shares some tips on exhibiting!
Tips for Successful Art Openings
"I’ve  written some of my thoughts in regards to Exhibition openings.  Some of  it relates directly to Red Brick and how you can make a Red Brick  exhibition work best, but I think most of it can be applied to all  exhibitions. For some of you what I have written will be obvious, for  others it will be the information you have been waiting for.  Some of  you will disagree with what I have written and that’s OK.  I certainly  don’t claim my thoughts to be the only way to approach exhibiting and  there is much more to think about and do for a successful opening than  what I’ve included here. However, now I’m an owner of a gallery I want  to help break down the barriers between the gallery owner and the  artist.  I want to pass on the information to help artists exhibit and  have a successful exhibition and I figured this was a good place to  start.
An  art opening at an art gallery is always a momentous occasion. The  atmosphere is festive; the art is fresh and new. Everyone from the  artist to the gallery owner is optimistic about the prospects for  healthy sales and favorable reviews. In a sense, the art will never look  as good as it does during its opening, and as such, this particular  circumstance always represents an opportunity for significant  advancement in an artist's career. 
A  successful art opening creates a buzz in the art community, not only  about the art and the artist, but also about the gallery. The better the  opening, the more people talk; word spreads and subsequent attendance  at the show increases. And we all know that the more people who see the  art, the greater the chances of making sales. With these facts in mind,  the following pointers are designed to make your openings successful in  terms of publicity, attendance, and sales. 
The  best way to make your art opening work for you is to create, in  advance, a level of anticipation that encourages as many people to come  and see your art as possible. Craft a compelling announcement or press  release, disseminate it as widely within the art and general community  as possible-- typically at online art and event websites-- and make sure  that everyone sees it in plenty of time to make plans to attend your  show. This announcement should be clearly written (so that ordinary  people can understand it) and contain two to three paragraphs of two to  three sentences each-- nothing more-- keep it simple. In addition to  events websites, email it to relevant local arts organizations,  newspapers that list local events, and any local radio or TV stations or  shows that regularly cover on local arts and culture happenings  (including community access channels).  

Red  Brick will send press releases to local newspapers, register your  events on community event pages and publicize your show on face book,  blogs, through newsletters and the website. But follow up all these  avenues personally as well.  Submit your own press releases to the local  paper, they sometimes respond much better to an artist than the gallery  itself. Send your CV and artist statement to Red Brick as early as you  can.  The sooner we have this information the sooner we can promote you.  We send information weeks in advance to some places in the hope that  your show might fit into a special event planned or it suits a topic  they are exploring within their publication. 

People  love pictures, being an artist myself and one who does a lot of work  right near the deadline I can understand you may not have a lot of  images to send, but as soon as you have them even 2 or 3, send them to  the gallery, include them with the press releases you send out.  People  may love a picture we post of your work and this may encourage them to  come to the opening or even purchase your work. Press publications also  like to put a face to a story, provide images of yourself also! The more  of the work you do, the more likely it is that your exhibition will  grab the attention of the media and potential guests for your opening!
Tell  us about your accomplishments, this is your time to dig deep and find  some inner courage and talk about yourself or write about yourself which  is what I find easier. The more we know about you leading up to and  during your exhibition the better we can help sell your work and promote  you as an artist.  I have been caught out a few times where customers  have asked me questions about exhibiting artists but I don’t know the  answers, this is because Artists can be shy and a bit aloof.  We  understand you are shy and may have trouble discussing your work but try  and at least share your ideas and thoughts with the gallery owners, if  they know the answers they may be able to do the hard work for you. But  share and share openly, don’t make it hard and don’t wait for lots of  questions from the gallery.
Also  get to know and schmooze media people like critics or art writers, no  matter how small or insignificant their publications or websites or how  much you disagree with their views. You want your shows to be reviewed,  so make sure you know your local reviewers and chat them up at your  opening. Publicity is always good, no matter where it appears or what it  says. When someone writes about you, that means you're worth writing  about. 
Make  sure all art is priced and the gallery has your price list early. Make  sure you consider the galleries commission before pricing and include  that in your price. During your exhibition make sure your resume and  prices are visible and within easy reach of anyone who wants to learn  more about you and your art. Always include the title, size, medium and  price on your price list.  Some people want to know if it’s going to fit  their walls. 
Some more tips.... 
1.         ALWAYS sign your work, it shows a level of pride, ownership but also adds value to your work. 
2.         Label  your work accurately.  If you are exhibiting prints, that’s fine but  include 'digital print' for example in the description.  The buyer is  less likely to want your piece if you say it’s pencil in the description  but it’s really a digital print.  People will lean more commonly to  original one off pieces when buying but will often buy prints if it’s  clearly stated and that print is editioned
3.         Take  pride in the presentation of your work. That doesn’t mean always  professionally framing work etc, it just means really look at it before  putting it on the wall.  Make sure there’s no hair under the glass (been  there lol)... make sure the image sits in the frame nicely. Make sure  it’s ready to hang, not just for the galleries sake but for the  purchaser sake. Wire on the back through two eyelet’s on either side of  the frame is the best way to prepare your work for hanging.  Even if you  are using cute little ‘found’ frames... put wire on the back. Those  tiny little clips on the back just don’t really work and make it hard to  hang.
Art  buyers who see an artist's work for the first time and who like it  would rather review prices and career accomplishments in private than  ask about them. First, they want to decide whether they can afford the  art. Those who can afford it and who are impressed by your resume will  then speak with you, your agent or the gallery owners. 
Be  on time to your opening.Your visitors are your customers, you are  hosting this party so be there to welcome your guests. Create  atmosphere, complimentary drinks and nibbles need not be expensive but  can make the difference between securing a sale or not. Also think about  how you wish your guests to feel about your work, would a musician or  playlist help create that?
Be  available to speak with anyone who shows any level of interest in your  art. Don't make yourself difficult to access by surrounding yourself  with friends and acquaintances; you can see them anytime. The new  people-- the first timers-- these are the ones who you should be talking  to. The better people understand your art and the deeper the connection  they feel to you, the more inclined they are to buy. So get out there  and mingle.  
By  the way, walking up and introducing yourself to someone who's seriously  studying your prices or looking at your art is perfectly acceptable,  but be sensitive to the viewers and be careful not to overstay your  welcome. Also make sure that everyone selling your art has been briefed  on your career, has access to your resume, can speak knowledgeably about  your selling prices, and can refer to your past sales, successful  shows, names of people or institutions that already own your art, and  similar hard art market facts. 
Now get out there and make a name for yourself!"
-           Marce